writing style The style a writer chooses to write to his reader. Style reveals both the writer’s personality and opinion, but it also shows how the writer or writer perceives the audience, and chooses the concept of writing style which in turn reveals these choices the writer can make to change the world’s perceptions of the overall character of the work. This can be done by a simple change of words; Syntactic construction, prose analysis, stylization, and organization of number of ideas into usable frameworks.

restrictions[عدل]

status and purpose[عدل]

The writer needs to match his style to the situation. For example, the same person writing a letter to the same reader will use a different style depending on whether the letter is a letter of complaint, a letter of condolence, or a business letter. The author needs to decide whether the goal of writing is to inform, persuade, or entertain. The situation in fiction is the events that make up the plot of the novel. The style should represent the writer’s personal expression of these events by setting the mood, directing the reader to subjectivity, non-literalism, and understanding the emotion of the subject. It is clear that you cannot respond with an emotional appeal to a business letter. The method must be realistic in the first place, focused and brief, and take the facts into account and nothing else. And in the way it sets standards with no room for stretch or sometimes it can get a person into entanglement both legally and ethically. This applies to all other forms that require a specific subject to be dealt with, so they must be treated appropriately.

sentence forms[عدل]

The writer controls both the density and distribution of the prose. Within the rules of grammar, the writer can arrange the words in many ways. The sentence can state the main issue first and then modify it; Or it may contain language that prepares the reader before stating the main issue. The variety of style may avoid monotony. But in technical writing, the use of different styles to make two words sound makes the reader wonder if the reason for using the different styles is to carry additional meaning. Stylistic choices may be influenced by culture. In modern times, for example, the long sentence has been preferred in all modes of discourse. But in classical times the periodic sentence received equal or greater preference, and in the Age of Enlightenment the balanced sentence was preferred by writers.

Inaccurate free sentence[عدل]

The free clause, which is most common in modern usage, begins with the main point (the independent clause) followed by one or more subordinate clauses. For example, Uncle Tom’s Cabin is so poignant because it shares the sentimental streak of self-righteousness famous in The Cat in the Hat. The cat sat on the carpet, purring softly, licking its paws. According to Francis Cressinian: The free and unrestrained sentence characterized the anti-Cicero movement in the seventeenth century. This movement, according to Robert Alexander S [«الطراز الباروكي في النثر 1929»] With Montaigne and Bacon and continue with Don, Brown, Tyler, and Pascal. For Montaigne, his art was the art of nature. As for Pascal, his rhetoric was a rhetoric that mocked official rhetoric, and for Bacon he provided knowledge. Contemporary Rhetoric: Conceptual Background with Readings, pg. 348

repeated sentence[عدل]

A repetitive sentence generally places the main point in the middle or at the end of the sentence. In the former case, the sub-clause modifies the main point before or after its position in the sentence, and in the latter case, the preceding sub-clause modifies the main point. Under a government that imprisons unjustly, the right place for the just man is also the prison. (Henry David Thoreau) The purpose of such form of sentences is stated by Adams Sherman in The Foundation of Rhetoric (1897): It is not only necessary to choose the strongest words and to be as brief as possible beside consistency and clarity to ensure the strength of the sentence, but also to arrange the words, phrases and sentences in An arrangement that suggests the driving position of what is most important and thus directs attention to the main idea.

balanced sentence[عدل]

A balanced sentence is characterized by parallel structure: two or more parts of a sentence that have the same shape and emphasize similarities and differences.

the pattern[عدل]

Style can relate to the writer’s style depending on the way the writer writes. Argumentative and expository prose on a particular topic frequently uses a set of terms in which the topic is usually discussed. This is reflected in narrative and descriptive prose that is open to a wide variety of words. Although style can be discerned from style, it is better to study style in a number of categories:

• Abstract – concrete: is the pattern material?
• Public-specific: How subtle is the pattern, or how ambiguous is it?
• Semantic and suggestive meaning
• Literal – figurative

Other features of the style include:

• density
• height

suggestive meaning[عدل]

The suggestive meaning of a word denotes a special meaning, which is part of its lexical meaning, which can be conveyed, and depends especially on the audience. The word “dog” denotes any animal of the dog family, but the content may refer to the relationship between one reader and the other. This may depend on personal interactions with dogs, and the writer can provide context to guide readers’ interpretation. An approved use of suggestiveness may involve choosing a word to convey a meaning beyond its lexical meaning, or replacing a word with another that has different meanings. The various words for dog have a series of connotations with regard to taming dogs into obedience, or an action expected of them, and perhaps also making a statement about the marital status of their owner. Even synonyms have different suggestive meanings: thin, slender, and skinny. Each of them conveys a different image in the mind of the reader. The author must choose the suggestive meaning that supports the pattern, whether positive, negative, or neutral. Includes suggestive meaning for writing to learn etymology or to denote a classic work. And it is possible to avoid attracting strange ideas in textbooks when there is an awareness of the suggestive meaning (for example, when writing “Napoleon had a greater influence than Frederick the Great in world history,” this suggests Napoleon’s physical nature). The word in encyclopedias should suggest strength and integrity, and the author should avoid words that indicate bias such as derogatory words.

punctuation marks[عدل]

Punctuation is usually standardized, so we rarely see it as a factor in an author’s style. This also applies to unjustified changes in spelling and grammar unless there is some intent to represent a regional or ethnic dialect when such changes are customary. But there are a number of punctuation marks like where to put the apostrophe or how to use the semicolon that can still cause frustration and confusion. Because of these uncertainties, the text production business has flourished over the last 10-15 years.

clichés[عدل]

Some types of speech are statements that briefly describe a complex concept through suggestive meaning. However, some of these phrases are used so often that they lose their seriousness, sincerity, and perhaps meaning. It is disparagingly referred to as a cliché (a cliché) or bromides (a vulgar phrase). If the expression given falls into this category it is considered a matter of opinion. A reader who knows – or is part of – the intended readers may have a strong opinion that one opinion or another alternative opinion seems to be better written.

Clichés are sometimes signs of weak writing and its lack of vitality and renewal ^[1]

Reference[عدل]

See also[عدل]

• idea
• prose
• Stream of Consciousness (literature)
• writing
• writing

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